

555380-2
Originally recorded in 2021
Classical
Orchestral & Concertos
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About
I am too cowardly to be a proper composer, Hugo Wolf confessed to a Viennese friend when he was barely 28 years old. And the result of his introspection was not so wrong: everything in his life, not only composing, proceeded in explosive spurts. He wandered through the deepest emotional valleys, suddenly flew up into the highest regions, suffered agonies when he couldn't think of anything to say, shouted his enthusiasm about a successful piece to the whole world and still managed to produce a respectable, albeit fragmentary oeuvre, from which the early poem Penthesilea after Heinrich von Kleist's tragedy of the same name stands out as a symphonic masterpiece. The Austrian baritone Benjamin Appl and the Jena Philharmonic Orchestra, led by its principal conductor Simon Gaudenz, have prefaced this highly dramatic monolith with twelve selected songs, most of which were orchestrated by their author himself: a dozen small, finely polished gems based on texts by Goethe, Mörike and Heyse, whose subtle arrangements leave no doubt that Hugo Wolf would certainly have had the makings of a "proper composer". Whether then, of course, the ingenious things would have been created that posterity owes to him - that is another matter.
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Reviews
**** Excellent Album
“… This recording is … principally recommendable for the many lovers of Appl’s singing, here to be heard at its best in repertoire which clearly suits him ideally; his diction is perfectly judged to the scale of the performances and the often sympathetic woodwind playing under the considerate baton of Simon Gaudenz, ideally paced in the delicate Harfenspieler [tracks 7-9] and even in the most extravagant passages of Penthesilea…”
Performance **** Recording ****
Classic Today Recommendation
Artistic Quality 10 Sound Quality 10 Overall Impression 10
“… likeable baritone Benjamin Appl persuasively singing 12 songs arranged for orchestra, mostly by the composer. With the high drama of the Goethe setting Prometheus, the orchestra beats what any solo pianist could do … with conductor Simon Gaudenz they [Jenaer Philharmonie] make a good fist of that cauldron of sex and violence, the early tone poem Penthesilea, written under the gaudy spell of Heinrich von Kleist’s drama. This isn’t a perfect album, but Appl and Wolf together still make it worthwhile.” ****
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